Invictus Games Vancouver 2025

NEW: Interview with Lil’wat Medal designer, Levi Nelson

During the opening ceremony, I witnessed beautiful black and yellow designs on center stage. These designs plus the endeavor to showcase the Invictus Games in Vancouver was thanks largely in part to four Coast Salish Nations: the Lil̓wat7úl (Líl̓wat), xʷməθkʷəy̓əm (Musqueam), Sḵwx̱_wú7mesh (Squamish) and səlilwətaɬ (Tsleil-Waututh). So, what are these games about? And why was holding it in British Columbia a breakthrough for the games?

VANCOUVER, CANADA – FEBRUARY 8: The parade of nations featuring Team Canada during the opening ceremony of the Invictus Games Vancouver Whistler 2025 at BC Place on February 8, 2025 in Vancouver, Canada. (Photo by Derek Cain/Getty Images for Invictus Games Vancouver Whistler 2025)

Invictus Game’s 10th Anniversary

February 16th, 2025 marks the end of the Invictus Games here in Vancouver. This year celebrates the 10th anniversary of its beginnings. Prince Happy initiated the games shortly after his return from a tour of duty in Afghanistan. In 2013, a visit to the Warrior Games moved him to create something for the service men and women globally. The “Foundation offers a recovery pathway for international wounded, injured, and sick servicemen and women (WIS). We collaborate to provide opportunities for post-traumatic growth: enabling those involved to reclaim their purpose, identity, and future, beyond injury.”[1]

[1] https://www.invictusgamesfoundation.org/aims-and-origins

Adria Brochu – Competitor – Team Canada

This year was monumental in many ways. Not only being a decade old but B.C., has been close to the young royal’s heart since he departed from Britain. Vancouver Island was a refuge for Prince Harry and his wife, Megan Markle. They took time away from their duties tumultuous time shortly after marriage. Another monumental move was banding together with four Indigenous communities, whose land the games would take place on. The Invictus Games Committee partnered with the four host nations of Whistler starting in 2023.

The Four Artists

Initially, the Invictus Games Committee made a call for an artist designer but this was revisited. Instead, the committee reframed the artist submission to include all four host nations remembering Canada’s Truth and Reconciliation Calls to Action, . As a result, Levi Nelson – Lil’wat Nation; Olivia George – Tsleil-Waututh Nation; Mack Paul – Musqueam Nation; and Ray Natraoro – Squamish Nation were selected from the submissions in fall 2023. The design team started meeting immediately via Zoom. They started to brainstorm how they would depict the design utilizing Indigenous symbols. They resolved to utilize the symbolism of the paddle as it represented “the central symbolic figure in which to speak about healing the warrior spirit.” says Levi Nelson in an interview with Adrenalin Magazine.

Lil̓wat7úl (Líl̓wat) Artist and Designer, Levi Nelson

Levi Nelson was raised in the mountainous region of Mount Currie northeast of Whistler. Nelson establishes that the land moves in and out of his artwork much like the waters his great-grandfather used to set traplines on. For Nelson’s master’s project from Columbia University, an iteration of fractured strips of cultural symbolism are pieced back together. The influence on these artworks is referenced by his auntie’s discussion about “the indigenous languages being a shattered mirror that was broken into pieces.” Now through language revitalization, many nations are breathing new life into their hidden languages after “being interrupted” says Nelson. As a contemporary artist, Nelson establishes that he pulls from all references both Indigenous and non-Indigenous to tell his stories.

Two-Spirited Medicine Man Named Old Doctor. Acrylic, silkscreen, and collage on canvas, 2020.

Journey to Invictus

Nelson is a passionate and motivated artist. He never expected to be where he is today. But as circumstances can be during an extremely low point in his life, he decided to apply to Emily Carr College of the Arts on a whim. Even though, his portfolio consisted of a few pieces and one being a charcoal drawing on a pizza box, the school saw potential. They were not wrong and during graduation year, he won the prestigious IDEA Art Award.

But he didn’t stop there, soon after he applied to the MFA program at Columbia University in New York. He was accepted. In 2022, he won a mid-career scholarship to assist him in his final project. Nelson has been unstoppable. While at Columbia he heard about the Gondola Gallery Project at Whistler Blackcomb. He applied and won. His painting “RED” can be seen wrapping one of the gondolas there. Inevitably when the call out for artists arose for Invictus, it stood to reason he would apply again. Success!

Sky’s the Limit

Nelson’s design featured on the Gondola at Whistler Blackcomb, was such a proud moment for him and his nation. Where once his people were being hidden away, now, they are being raised to the sky. For this Indigenous artist contributing to the Invictus’ Games main design was just the beginning. He also crafted the medal designs. As well, he was invited to create a painting to bridge the games from Canada to Birmingham, the next host city. The painting resulted from his trip to Birmingham sponsored by Air Canada. The painting titled “Journey” seems fitting.

So, what new journey can we anticipate seeing for this amazing artist?

Discovering Tentacle Tribe: A Journey Through Dance

My first exposure to the dance company, Tentacle Tribe, was during their acclaimed performance “Prism”. They reconvened at The Cultch after sold-out shows of Ghost in 2020. Once again, they received rave reviews including one by SeeChangeMakers. The dance company has toured globally throughout its over 10 years of existence. The two artistic directors of the company have brought a whole new meaning to street dance. Meanwhile, they are making an impact on the world around them.

Courtesy of TENTACLE TRIBE website Photo: Juan Llaguno

Who is Tentacle Tribe?

20 years ago, Emmanuelle Le Phan and Elon Höglund met while working with Cirque du Soleil. The two dancers recognized a mutual love of a contemporary exploration into hip hop and breaking. Each of these artists had an extensive background in dance. This history finally brought them together. Höglund had worked with Cirkus Cirkör which eventually lead him to Cirque. Meanwhile, Le Phan was working in Rubberband Dance Company, when a Cirque director spotted her. Both worked the Cirque show “Love” in Las Vegas for two years before returning to Canada.

Upon arrival, they both started working within the Rubberband Dance Company. “Lê Phan and Höglund did just one Rubberband Dance show together before going out on their own.”[1] In 2012, Tentacle Tribe was born. The new dance company focused on their unique styles of dance influences of techniques seen in hip hop, break, ballet, martial arts, etc. However, they created a contemporary genre all of its own. Le Phan and Höglund establish in the Vimeo bio. It was a mission to create work that transcends boundaries separating movement and expressing the embodiment of music beyond techniques.

Where to next?

Not surprisingly, they have achieved great success. Forever growing, this Canadian-Swedish partnership has expanded the company to include a variety of dancers and outside collaborators. With a love of their roots, they are always supporting the expansion of street dance. In a recent collaboration, Le Phan and Victoria Côté Péléja, initiated Corocasse, a Quebec City Street Dance Festival born in 2023.

PRELIMS – The # is 3 VS Charlie/Juliette/Flowcam _CoroCasseBattle2023 Coutesy of TENTACLE TRIBE
Channel

It will be presented again in the summer of 2025. As well, in the Spring of 2025, DIRT will debut. DIRT is a theatrical dance “reflection on our primal connection to the earth, to dirt and the source of all life”. The Höglund steered production will premiere, on April 9th 2025 at Agora de la danse, Montréal.

FULL INTERVIEW in 3 PARTS Featured now in PEOPLE

Theresa K. Howell


[1] https://www.vancouverballetsociety.com/2017/08/kindred-hip-hop-spirits/

Paris-City of Love; City of Light

On September 25th, 2024, the sky was grey and periodically threatened rain. My good friend made his way to my rental condo in the 19th arrondissement of Paris. He wanted to be there to say “goodbye.” I was flying back to Canada, somewhat reluctantly. My reluctance was due wholly to the variety of friends I made, mixed with my love for the language and the multitudes of cultures surrounding me daily. 

During my previous trip in April, I decided that the next time I came back, I would explore living in Paris instead of just visiting it. So, I booked a one-way ticket for August 25th, 2024. Interestingly, I hadn’t realized that I would be present for the Paralympic Games. What timing!!

An Unlikely Event

The parade and opening ceremony were set to take place a few days after I landed. I decided to make my way down to central Paris for a chance to witness some of the revelry. To my surprise, they were allowing all visitors and citizens free access to the parade along the boulevard from the Champ Elysees to the Place de la Concorde, where the opening ceremony entertainment would take place. Of course, free access would only be available on big screens. Meanwhile paying customers had seats in the stands for direct access.

The day was perfect; sunny and warm, unlike the previous Opening Olympic ceremonies on July 26th, 2024. Drizzle, sprinkles then full-on, nonstop rain drenched those ceremonies. However, this didn’t dampen the celebratory mood of all the participants. I recall watching this ceremony on TV and thinking how exceptionally creative and original it was.

Making a Difference

Many aspects of this Paralympic ceremony struck me as unique much like the previous Olympic Ceremony in July. These ceremonies involved unique choreography and music from various artists.

For instance, one of my favorite performances was L’émouvante by Lucky Love. The dance troupe consisted of diverse physically challenged individuals such as people in wheelchairs, amputees, etc. The main singer, Luc Bruyère stage name “Lucky Love”, a former cabaret singer, dancer, drag artist, and musician, is also an amputee. The performance lasted almost 5 minutes, and it was another exquisite production like the performances witnessed in the previous month.

L’émouvante by Lucky Love Publisher France TV September 2024

For me, the ceremonies truly echoed the atmosphere I fell in love with on my first trip to Paris. One which supports the day-to-day practice of inclusivity, diversity, tolerance, and respect for all. By the end of the evening, I felt warm and fulfilled for having been part of the experience.

Image by Theresa K. Howell
Image by Theresa K. Howell

Final Words

The Paris Olympic and Paralympic opening ceremonies showed a world of possibilities in how we can perceive sport, art, culture, diversity, inclusivity, respect, and a love of life. This is why they are in the category of “Changemaker” for us in 2024.  

 In the next installment, we will feature another artist, Richard Poher. He is a French Jazz musician who uses two diverse and distinct instruments: the piano and the digeridoo. With his upcoming debut album, we will talk about his career and instrumental choices. You will discover why he is a changemaker in his field.

Richard Poher performing Zalem YouTube Published in October 2023

EARTH WEEK 2024 – Transportation Around France

Get ready for France’s upcoming international activities! No, I’m not talking about the Olympics. However, the Paris, France 2024 Olympics is monumental. This year marks the 100th anniversary of the last time they held the Olympics. This event and their proactive stance on climate action could explain the recent national and transnational transportation infrastructure investments.

France National Assembly Building displaying Olympic figures

Eye-Opening Moments

During this year’s Earth Week, I want to discuss revelations from my recent Spring trip to Paris, France. This revelation involves France’s focus on transportation. This was my first trip to France, and I naively brought my North American lens of transportation with me. With this, I booked a car for a planned road trip during my vacation. This experience was eye-opening. I soon learned that the electric car I booked was probably not the best choice. The FIAT 500e can travel 240km before needing to be charged. New to this country, the rental agent recommended the same Fiat 500 in the hybrid model. I complied. Well, this wasn’t the first lesson about driving in France.

My first experience, regarding traffic, was when I took an Uber which was cheap and handy from Malakoff to Paris 3 days after my arrival. I got a quick education on Paris traffic that day from the backseat of the Uber. My driver weaved through various streets at noon to avoid huge traffic backups. I observed his mastery at avoiding cars and motorcycles weaving close beside us to gain their respective spot in traffic.

I asked him how he manages his sanity driving in this chaos as a retired citizen. He responded, “I do meditation, every day.” I said, “I can understand how that would help with this type of traffic.”  The traffic is “by no means” synchronized with only lion-hearted individuals taking on this challenge.

Transportation in Paris

I am painting this picture to establish the foundation of why Paris’s public transit system is not only essential but well used. I was already using the Metro from Malakoff, a district outside of Paris Central. However, I never realized how essential the metro is to Paris and the outlying districts until a quarterway through my trip. “It is the second busiest metro system in Europe, also it’s the tenth busiest in the world. It carried 1.498 billion passengers in 2019, roughly 4.1 million passengers a day. This makes it the most used public transport system in Paris. It also transports at least 63% of Parisians daily in opposition to the 11% using vehicles for their commute.

Metro public transportation station entrance in Paris

Transportation around France

Now, let me get back to my road trip. Fortunately, I booked my car from the airport allowing me to avoid that city traffic I mentioned. Once on the road, I paid various tolls that are on most routes. The tolls can cost upwards of twenty euros. This was even different from my experiences in American where tolls are often a few dollars at most.

I soon realized, that if I decided to take the fastest and most direct route, it would require more time than using the trains running regularly between cities and townships around France. For example, my first stop was to Metz, France on my journey. So, I mapped it using Google. By car, the trip took me 3 hours and 20 minutes.  By train, the trip would only have taken me 1 hour and 30 minutes. So, in the end, I could have passively sat and enjoyed a scenic countryside view instead I drove a mundane thoroughfare to my first destination that day.

Roadtrip back from Colmar riding the transportation freeway

It is important to mention that one reason for driving was to give me the freedom to explore the countryside. Another educational moment was driving these freeways, I realized there were very few cars, and most users were semi trucks hauling goods. “The transport (national and international) of goods in France is dominated by road transport, with more than two billion goods transported each year. Road transport of goods is above all practical.”  Unlike North America, they use their rail to move people not goods.

Environmental Advantages

I also noticed how clean and lush the environment was around me. This climate and landscape are like my home province of British Columbia, but it seemed fresher somehow. I saw fields upon fields of vegetation from the yellow rapeseed, used in biofuels, and cereal crops plus varieties of deciduous trees. In contrast, BC conifers intertwine themselves with sprinklings of deciduous trees. BC’s conifer stands are seasonally under attack from climate change forces such as hotter seasons, pests, and wildfires.

Lush varieties of vegetation along the drive back to Paris

So, France is sustaining itself even amidst our changing climates. I suspect their approach to community transportation gives them an advantage as well. As observed, few people drive from city to city instead they use commuter trains and public transit in the major centres. Currently, Europe is discouraging short-range air travel with policies and extra fees to incentivize rail travel instead.

Investment in community and cross-country transport is a priority for France and Europe. Currently, there is a multibillion-dollar project for a transnational commuter train from France to Italy. Additionally, there are steep investments into broadening existing routes nationally and Germany. These extensions are bringing more commuter trains, both rapid and slow, across the country plus using subsidized costs to get people to board trains.

From my trip around France which included Paris, Malakoff, Metz, and Colmar, I learned so much about how a small country is doing huge things about moving people around conveniently and cheaply. France is another shining example of how to approach transportation in a cleaner climate-friendly manner.

By Theresa K. Howell

2024 is my first post since the last updates in SPRING 2022 PART I & PART II. This is my monumental moment. 🙂

2022 Updates: PART II- Ocean Wise’s Youth to Sea Leadership Program

Ocean Wise’s Youth Programs Image courtesy of Ocean Wise

To acknowledge our time in this virtual space, SeeChangeMakers pulled together various updates on previous interviews of people and organizations from the last 2 years. To acknowledge the importance of EARTH DAY, these interview updates will be spread over the week from the 18th to the 23rd.

 Ocean Wise has been a hallmark here on the West Coast of Canada for decades. As SeeChangeMakers 2021 article pointed out, the Vancouver Aquarium was Ocean Wise’s birthplace. Through the pandemic, a variety of changes occurred. Currently, the organization has flowed with the current change by streamlining its rebranding. One of their recent directives is called Waves of Change and it shares a philosophy that “bringing together and empowering youth turns the tide on climate change where many ripples make a wave.”

RECAP

In April 2021, I interviewed Michelle Bienkowski, Facilitator & Program Leader for the Ocean Wise’s Youth to Sea Leadership Program. This was a real eyeopener on how Ocean Wise is creating feasible avenues to engage the public. Taken from last year’s post, I mentioned that “Youth is the central tennet for their key initiatives. This has been one of the reasons for the rapid growth of the Youth to Sea Leadership Program since its inception in 2019.” While many projects have been led by these 15–18-year-olds, no task is too small. Bienkowski said the main criterion for all projects is that they are initiated and led by the youth. Program Leaders are facilitators only. Hearing about the variety of creative projects and ideas establishes how reliable Ocean Wise’s current mandate is.

Impacts of Youth Service

Recently, Lasse Gustavsson, CEO of Ocean Wise, has been getting the word out to high school students directly. He recently addressed the North Vancouver SD44 Climate Action and Sustainability Week from April 11-14, 2022. Gustavsson reminded his audience that there are “1.8 billion children in the world today and they will lead the way” in helping to make our oceans greener and cleaner. The application deadline is fast approaching. The 2022’s intake for the Youth to Sea Leadership Program ends on April 24th.

Video courtesy of Ocean Wise

Placements for Young Adults

Other youth-based directives are the Youth Bridge Programs offered to 18–30-year-olds. The Ocean Bridge Direct Action program offers a 3-month full-time immersive engagement. It offers young students and professionals an opportunity to gather firsthand experience in oceanic and aquatic conservation with marine specialists. This program runs from April-October.

The second program is the Ocean Bridge Classic. The classic program is a similar platform but in an expanded 6-month part-time program. They are currently recruiting from the East Coast region of Canada for a May – October 2022 enrollment.

Each program requires an initial Expression of Interest which can be in any media format that resonates with the applicant. These could be anything from an essay to an art portfolio. The intention is for learners to establish how the program will foster their passion for oceans and freshwaters. Learn more about Ocean Wise’s Youth Programs or other Climate Action initiatives at Ocean.org

2022 Updates: PART 1 – Faun Studios

Image courtesy of Marisa P. Clark

RECAP

To begin with, FAUN Studios, the design company conceptualized in 2018 by Marisa P. Clark was our FALL 2020 interview. Clark is a young business graduate and fashion expert from Calgary, Alberta. She decided to make an impact on the fashion scene by recognizing the need for more sustainable choices. Conscientious manufacturing decisions such as “where and how the fashion line would be made” were part of her initial mandate. FAST FASHION was NOT a model, she wanted to replicate. She explained in our interview that manufacturing in her mother’s home country of Vietnam was important. Also, maintaining a classic fashion line was integral for long-lasting globally conscious fashion. Here is a link to the original webpage and interview which took place shortly after Vancouver Fashion Week in October 2020.

FASHION in 2022

Recently, Faun Studios brought their current Fall/Winter 2022/2023 line to Vancouver Fashion week this  April 7-10th, 2022. Vancouver Fashion Week is the second largest fashion week in North America. Faun’s Fall/Winter Collection featured beautifully abstracted pastel landscapes on full legged knit pants and tops. Also, another new feature this year was her introduction of eco-dyed wool and recycled deadstock material used in the recent designs. With these cute little knit vests and skirts, this year’s line up really shows how Clark is expanding on her sustainable creations. The last post I read on her Instagram and Facebook pages, stated she is off to Europe. I’m sure this is part of the international expansion of the FAUN Studios fashion line. CHECK OUT her latest creations here:

YouTube Video thanks to Marisa P. Clark

Make sure to stay tuned to many more beautiful artful and climate-conscious designs from FAUN STUDIOS.

FAUN STUDIOS Webpage

Sea Sick; Illumination from the Dark Depths

Alanna Mitchell explains the numbers in her one-woman show, Sea Sick. Photo by Alejandro Santiago

Last Wednesday evening, I made my way to The Cultch’s Historic Theatre to witness Alanna Mitchell’s “Sea Sick”, a production of Theatre Centre (Toronto). The show runs from February 9th-19th as part of the Femme Festival. I wasn’t quite sure what to expect outside of realizing the play was based on Mitchell’s bestselling book, “Sea Sick: The Global Ocean in Crisis” (2009).

The Formative Years

Descending from Norwegian seafarers, I’ve always felt my blood was a mixture of both saltwater and plasma. Thus, anything referencing the ocean had my attention. As the house lights slowly faded into stage lights with a 10-minute introduction, Alanna brought us into her life of wonderment and curiosity. Everyone soon learned she was the daughter of a University of Regina professor, George Mitchell. Therefore, Alanna Mitchell was both genetically predisposed and nurtured to chase scientific truths.

Her honest and vulnerable narrative led the audience around the globe on a truth-seeking adventure. These trips were initially derived to revisit Darwin’s life path. Charles Darwin was the highlight of many dinner conversations during Mitchell’s formative years. We also learned that through her investigative journalistic travels, she started to uncover some hard truths about our planet’s existence.

The Journey Begins

A 10-minute excerpt from Alanna Mitchell’s one-woman show, Sea Sick,
performed at The Theatre Centre in Toronto, Canada in October 2014.

For Mitchell, this became the inception of the book. As she tagged alongside notable marine scientists such as Sylvia Earle, Nancy Knowlton, Stu Ludsin, Joanie Kleypas, Carol Turley, Tim Flannery, and Amy Wright, Mitchell recounts the path that brought her to this date and time.

Like any truth seeker, the more information that was unearthed the harder it was to turn away. The scientific facts were so surreal that at one point, Mitchell struggled. This was when the play brings us to Mitchell’s existential crossroads.

Where to Now?

In a last heroic gasp, as she struggles with so much newfound information, an email arrives. Amy Wright invites Mitchell to join her deep-sea exploration which originally eluded the journalist. Wright’s communication became a wake-up call.

Going into some of the deepest depths of the ocean, a kilometre deep in a submersible, was a first for any journalist. How could she decline? Suddenly, some lightness at the end of a dark tale. It was the comedic interlude that brought everyone back. Mitchell brings us into this twinned bathtub capsule as she submerges into the ocean with three other scientists.

Reconciling the Truth

Meanwhile, in the 3-hour journey downwards, she reconciles her dilemma and draws the conclusion, that “hope is quintessentially human”. In the end, she points out that there are two things we can do to tackle this existential threat to our existence. Number one is to “forgive yourself” since, individually, we can do little to change the status quo. Mitchell recognized that forgiveness is the first step towards inner healing which is necessary for change. As this act can truly reshape our existence on this earth.  

By Theresa K. Howell

The Other New Normal – PART II

The interplay of fire with water

In this current series, I have moved away from WATER and decided to look at FIRE. In The New Normal PART I, I discussed personal reasons for this redirection. It is important that this website stays relevant to current viewpoints and situations. In part 2, we explore possible options and introduce a couple of Changemakers creating sustainable environments as it relates to FIRE management.

Perspectives on Fire and Land Management

Diversity and inclusivity are tantamount in dealing with most economies in Western culture nowadays. However, these concepts have been an ongoing philosophy of indigenous peoples for time immemorial. Before colonization, trade and land management involved these fundamental aspects to create harmonious exchanges interweaved with environmental stewardship. This was not of primary concern to the colonizing cultures. Trade would be based on extraction only without reference to environmental management. 

Certain settlers (alias Colonizers) started recognizing the errors of this ethnocentric mindset back in the late 20th Century when social scientists started to enter new territories with humility. Instead of imposing their will and ideas on the local population, they learned to ask for guidance and instruction. There was recognition and respect of indigenous knowledge for the environment and its management.

However, business and politics would take time to grapple with this humility. These are not natural pillars of practice for either of these branches in western settler culture. Fortunately, in recent years, circumstances have forced an immediate reassessment of these ideologies due to the global pressure from climate change. Living in harmony with the environment is a necessity for survival.

Regenerative Practices  

Listening to the CBC August 5th podcast of “What on Earth”, Laura Lynch was interviewing and discussing concepts of regenerative farming practices. These methods help remedy the extreme heat and warming temperatures known to affect crop production seen in current traditional farm practices. Regenerative practices and strategies look at site-specific ecosystems through time to determine how the interaction of all factors interplay to maintain and sustain thriving environments. As stated in “Thriving Beyond Sustainability”, proponents of these practices understand that a local environment requires an interconnected web of relationships such as the ecological, social and economic. 

Regenerative practices have been at the center of indigenous teachings from the beginning of time. This interplay of relationships is part of the cultural knowledge and teachings handed down generation after generation. That is why it is imperative that indigenous knowledge keepers be part of the conversations and policy construction involved in land and fire stewardship. 

It was a routine indigenous practice to do mindfully navigated burns in spring to stave off runaway wildfires during the summer months. At the same time, these prescribed spring burns regenerated soil fertility and early growth. However, after colonization, a European lens of centralized land management which outlawed localized indigenous practices was imposed. Fire suppression was about increasing timber values for global trade. 

From that moment onwards, it brings us to our current situation of runaway wildfires, drought, and nutrient-depleted soils. Currently, governmental fire management agencies are seeking out indigenous fire knowledge keepers to help curtail and reduce wildfires. Yet, the belief that fire is the enemy is still prevalent amongst settler mentality. 

APTN News – Amy Cardinal Christianson is a fire research scientist with Canadian Forest Service who specializes in Indigenous wildfire stewardship. (April 2021)

Fire as Medicine

Many years ago while watching a TV program, a firefighter discussed that understanding fire is the only way to harness its power. This is a loose interpretation of what was being discussed but the point remains. Indigenous Fire Stewardship has always acknowledged this philosophy in relation to its ecosystems. In an article, by Amy Cardinal Christianson, she writes that “Satellite imagery depicts that Indigenous lands have the lowest incidence of wildfires, which contribute to maintaining carbon stocks and enhancing biodiversity.” 

Amy Cardinal Christianson has become a prominent figure for Canada’s Fire Management systems. She is a Métis woman from Treaty 8 territory, currently living in Treaty 6. As well, she is a research scientist with the Canadian Forest Service, Natural Resources Canada. Christianson also co-hosts the “Good Fire” podcast, which looks at Indigenous fire use around the world. 

In one of the “Good Fire” podcasts, “Fire Ecology and Indigenous Knowledge” from October 28, 2019, Christianson and Matthew Kristoff, interviewed Dr. Frank Lake from the US Forest Service. Dr. Lake speaks to the idea of regenerative practices that relate to fire management. He discusses how the use of fire stewardship becomes imperative for biodiversity and fire management. Another important point discussed was the formation of respectful partnerships between indigenous and settler communities. In this partnership, settler communities learn how fire can been seen as cultural medicine as well as recognize the intersection of it between people and place. 

In the podcast, Lake discusses how smoke works as a fumigation technique and a cooling effect for salmon streams. He further elaborates on how certain US states are now utilizing prescribed burns for regenerating soil nutrients and the growth of food resources. Also, relearning that fire is not an evil but a necessity for our environments. These ideas become a matter of reframing perspectives to see the fire through a stewardship practice versus a negation perspective. Once Canada recognizes and respects the vast resources in their indigenous knowledge keepers, then it will see changes for the better. 

To learn more about this and other ideas on indigenous fire management go to: 

AMY CARDINAL CHRISTIANSON

GOOD FIRE Podcast

Indigenous Fire Management and Traditional Knowledge

The Other New Normal – PART I

In the hills of Oyama, BC

And because a community is, by definition, placed, its success cannot be divided from the success of its place…its soils, forests, grasslands, plants and animals, water, light, and air. The two economies, the natural and the human support each other; each is the other’s hope of a durable and livable life[1].

-Wendell Berry


Give me the facts

My aunt and I were on a morning walk during a July vacation I had started. As we meandered our way up to Old Mission Road in Oyama, BC, we talked about the current weather anomalies hitting BC this summer. My aunt has lived in the Okanagan Valley for over 50 years. Summer after summer, I would see her tidying up the deadfall around her lot. She has always been conscious of how the hot dry summers inevitably stoke wildfires in the valley’s arid environment. However, what hasn’t happened before, from her perspective, was the early onset of the extreme heat and ongoing drought conditions.

During the end of June and beginning of July, BC was under an extreme heat dome with temperatures in the 40’s. This was unprecedented. Even though one of the warmest places in Canada is Osoyoos, BC, they still had never seen temperatures past 33 degrees in June.  On the news, the number of wildfires has outranked last year by 5 times what was seen previously. By mid-July, they had recorded over 1000 wildfires compared to a previous statistic in 2020 for that same time was just over 200. Up to now, 2018 was BC’s difficult fire season, we are not at the end of this one but it will be sure to break some records somewhere. Outside of the obvious heat dome and climate change discussion what other outlying factors are involved in this year’s intense wildfire season?

The Ongoing Challenges

As the conversation evolved and our movement propelled us into what environmental factors have led to this relentlessly dry environment, Auntie June told me about the pine beetle ravaged trees and the lack of rain. We talked about why the provincial government tried to harvest these diseased trees with little immediate value for time and money spent. She then told me how much time she spends cleaning and clearing her own 8-acre hillside lot of the potential fire hazards. These vary from dry brush, fallen pine needles to discarded aerosol cans left by vagrant youth. She points out that “Those aerosol cans can explode.” Then, she bends down to pick up a cigarette butt off the ground saying, “who the heck is smoking out here!?” I hear the frustration in her voice. Year after year, tourists flock to the Okanagan area in hopes of a beach escape. However, many are oblivious of the delicate balance this environment is teetering on in the summer.

Taking Time to Understand

I, myself, remember when I was younger thinking how old-fashioned and prudish my elders sounded for poo-pooing people for these behaviors. Now, as I hear of people losing their homes, sometimes their whole communities, such as Lytton, BC, and in the recent past, Fort McMurray, AB; these cautionary statements paint a whole new image for me. My aunt walks out amongst this environment as a grand elder wondering when we all will learn to respect and protect what we have before it, too, is gone.

Working on Solutions

After coming back from this small trip eastwards, I started to reflect on how, I, as a glocally minded individual, can help reshape this thinking about the changing environments, temperatures, and times. Glocally as an adjective means to think locally as well as globally. While reading various statistical data websites, I came across a BC Government funding initiative that was started back in 2018. I’m guessing it was in reaction to, or in anticipation of the intense wildfire season that year. The initiative is called the FireSmart Program. The highlights of the funding and support portion of this program are:

  • 100% funding of up to $150,000 across a suite of FireSmart activities.
  • Regional, multi-jurisdictional applications are encouraged
  • Incentives have been added to undertake FireSmart activities on private land.
  • Funding opportunities are available for fuel management projects on First Nation reserves.

Wandering around the website, I was especially impressed by the free educational materials created for anyone to utilize to initiate community projects or utilize in classrooms before schools are let out for the summer. Like the beach clean up’s, practiced here on the West Coast, I envision forest and community fire starter clean-ups. As the adage goes knowledge is power. In the end, all people need to be aware of what we can do prevention-wise, to live more sustainably in this other new normal.

By Theresa K. Howell

FireSmart BC Educational Materials- https://firesmartbc.ca/ember/

[1] Excerpt from: Chapter 2 “Going Glocal” – Thriving Beyond Sustainability; Pathways to a Resilient Society by Andres R. Edwards (2010)


Ocean’s Alive

June 8th is World Ocean’s Day. What will you do to celebrate your connection to the Earth’s greatest contribution to our humanity? This liquid lifeforce covers 70% of the earth’s surface and supplies 50% of the oxygen that we breathe. Unfortunately, 90% of big fish populations have been depleted and 50% of the coral reefs have been destroyed. Humankind has made an impact and not necessarily for the better. So what can we do to change direction?

Rage Against the Machine

Currently, Seaspiracy is the movie to see relating to oceanic advocacy documentaries. It raises important issues about the current health of our oceans. The documentary brings attention to the global fishing industry plus the ocean pollution and degradation which affects this deep water ecosystem. Like Michael Moore’s film, “Roger and Me” that discussed the car industry’s effect on the health of Flint, Michigan, Seaspiracy’s use of directional storytelling doesn’t mince words. Ali and Lucy Tabrizi, the director and filmmaker, hit the audience and its interviewees with dramatic footage and intense film bytes. I personally believe we need harsh “in your face” pieces like these to take the rose-coloured gaze off our day-to-day feel-good environmental placations. HOWEVER, this Blogcast intends to have you “INSPIRED” not “FIRED” up. So, make sure to come back here after you have balanced out. Hopefully, we can talk about where to go from there.

A Small Fish Swims Upstream

Back in 1992, Canada’s International Centre for Ocean Development (ICOD) and the Ocean Institute of Canada (OIC) proposed the concept of World Ocean Day at the Earth Summit in Brazil. It took years of building and focus before any substantive global involvement took hold. Finally, on June 8th, 2008 the UN officially recognized World Ocean Day. Now, in 2021 after rising out of the dim days of COVID, we can see the brilliant possibilities and new pathways that envision a future based on respect and sustainability.

An Ocean’s Chance

For 2021, World Ocean Day is focusing its attention on the 30×30 direction. What this means is cleaning 30% of the Ocean by 2030. It is ambitious but doable. These numbers aren’t unreasonable when people work together collectively. Whether you are an individual or an organization, there are ways to make a difference. OceanWise’s Youth to Sea is one of those organizations. About a month ago, See Change MAKERS interviewed Michelle Bienkowski, Youth to Sea’s program facilitator. She discussed many initiatives this remarkable group of young leaders has taken on such as their Shoreline Cleanup.

Another organization that is making waves, is Plastic Ocean’s. Its mission is to inform, inspire, and incite action to solve plastic pollution. Both Ocean Wise and Plastic Oceans are signatories of the Canadian Ocean Plastics Charter. The charter’s aim is to bring together government, business, and civil society to redefine how plastic enters our ecosystem.

One of Plastic Ocean’s Canada initiatives is education. Teaching and informing viewers about the impacts of plastic trash collected, what changemakers are doing, and an extensive array of data-based research and information. This non-profit organization is moving rapidly to hopefully make an impact. Currently, they have listed 35 ocean cleanup projects taking place globally.  Other initiatives are collaborative education projects where they engage youth to be the voice for their generation. They work alongside educators and students to inspire circular economy solutions. As an educator, one of my favorite youth-based initiatives is the Short Film: Earths Ekko  

Smaller Ponds

These non-profit organizations spend every day working on what they see as pathways to a healthy ocean. However, there are others that come at it from different directions such as environmental, photographic artist, Benjamin Von Wong. Currently, he is in the process of developing a large installation that is based on a week’s collection of plastic garbage within his local Montreal community.

“We’re building a three-story-tall art installation with plastic flowing out of it, and on top of this is a giant faucet,” Von Wong told CTV News in a recent interview. “The idea is to tell people that we need to turn off the plastic tap.” This project is intent on reminding people of the pollution that is plaguing society and the oceans.

Plastic pollution was also one reason that Kevin Hinton, Brad Liski, and Ryan McKenzie, Tru Earth’s founders, started their business back in 2019. Now, Tru-Earth ships packets of its laundry eco-strips around the world. These little 2X4-inch laundry eco-strips have prevented more than two million plastic laundry jugs from being thrown away. Due to their amazing marketing acumen and their desire for change, the Port Moody company won a 2020 award for being the fastest-growing start-up. Liski told Tri-City News, “Consumers don’t want plastic anymore.” He went further by saying, “It’s just the beginning for the planet.” It’s no wonder they have been the fastest-growing start-up, consumers are recognizing they want to be part of this global change.

Recently, we interviewed Ryan McKenzie, co-founder of Tru Earth. Check out the article then interview on See Change MAKERS People Page.

By Theresa K. Howell

See Change MAKERS respectfully acknowledges that all of the works we do take place on Coast Salish land, home to the Tsleil-Waututh, Musqueam, Stó:lō, and Squamish nations.