The Didgeridoo is a 40,000-year-old instrument; it is now changing perceptions in music making and the healing arts. Originating from Arnhem Land, the Northern Aboriginal region of Australia, the didgeridoo has a global presence. Can this popular instrument help heal our spirit?

The Traveling Didgeridoo
My interest in this instrument grew during a trip to France. While exploring the many facets of Paris, I ran across a Jazz musician who played didgeridoo in combination with piano. You’ll hear more from Richard Poher in a follow-up interview. But one of my questions became, “how did this instrument make its way to France?”
The didgeridoo, also known as the Yiḏaki, Yigi Yigi, and various other regional names among Australian Aboriginal communities. It’s been scientifically dated to be 1500 years old. However, some have said the number is more like 40,000 years. The name “Didgeridoo” is an onomatopoetic term given by Europeans based on the sound that it creates. The first recognition of the instrument by colonists occurred between 1788-1900.
From the 20th century onward, the instrument became more widely known in mainstream culture, particularly during the 1970s. This period saw an increase in interest in folk music and the emergence of the new age movement. During the 1980s-90s, collaborations, such as, Midnight Oil with Yothu Yindi contributed to the instrument’s visibility in North America. The popularity of New Age healing practices also introduced the instrument to that continent. In the 1990s-2000, World Music Festivals were on the rise. This provided a platform for artists to experiment with different sounds through collaborative performances. David Hudson’s collaboration with YANNI from 1996-2005 is one such example.

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The Didgeridoo comes to Paris, France
Today, the didgeridoo is recognized as the cultural symbol of Australia. Yet, it is also unquestionably connected to its origins in Aboriginal culture. Richard Poher, embarking on an MA at the Conservatoire de Paris, mentioned, “Why?” he combines the didgeridoo with the piano. He said, “It was an act of combining the occidental (western world) with the indigenous perspective. It’s a way of bringing our current world concepts together and into the forefront.” With this adoption into the larger global community comes a needed respect for the instrument and its origins.

Image Courtesy of Richard Poher
The Didgeridoos Body
Artisans have traditionally crafted didgeridoos from termite-hollowed eucalyptus and bamboo—materials abundant in Australia. After selecting the right trunk, they modify it and often add a beeswax mouthpiece for comfort. The didgeridoo features prominently in dance, storytelling, and ceremonial activities. Artisans frequently decorate didgeridoos with motifs that reference local plants and animals, symbolizing the instrument’s connection to the region. In Aboriginal cultures, men typically play the didgeridoo during sacred ceremonies.
In recent years, makers have crafted didgeridoos from a range of hardwoods by splitting, boring out, and rejoining the materials. Additionally, they have introduced new substances, such as glass, fiberglass, metal, agave, clay, resin, PVC piping, and carbon fiber, expanding both the instrument’s versatility and its reach.
The Didgeridoos Voice
The voice of the Didgeridoo is a unique combination of a distinctive drone twinned with a buzz. The player’s circular breathing technique, in tandem with various oral manipulations, creates the unique reverberations. Like most wind instruments (aerophones) this method uses an “in through the nose, out through the mouth” action. Yet, the circular breathing is mixed with lips vibrating “like an elongated raspberry.” This mixture, along with other vocalizations, gives this instrument its distinct sound quality.
The tones produced will also vary depending on the materials used, their length, and internal diameters. In Aboriginal cultures and beyond, the variety of sounds can emulate those of the dingo and kookaburra. David Hudson, Australia’s top 10 renowned Didge players, gives some helpful tips here.
In an upcoming interview, SeeChangemakers will talk to David Hudson. We will discuss the cultural significance of this instrument. We will also explore its importance to Australia’s Aboriginal culture.
The Didgeridoos Healing Spirit
Like Tibetan Singing Bowls, the Didgeridoo sound is known for its healing properties. Unlike the bowls, it also relies on breathwork. this circular breathing technique. strengthens the respiratory system. Meanwhile, scientific studies have shown it to decrease sleep apnea as well. This breathing technique can align the energies within the body. The deep resonant sounds emit an echo and vibrate the human body. In combination, this energetic clearing power of the didgeridoo is “like a reiki or qi gong power washer.”
Spiritually speaking, the Didgeridoo is used ceremonially in Aboriginal cultures, accompanying songs, dances, and storytelling. It connects the people to their ancestors, land (Country), and the Dreaming (the Aboriginal understanding of world creation and existence). So, it is important that non-Aboriginal people respect the gifting of such tools for their own pleasure and healing modalities. Knowing and acknowledging Aboriginal peoples as the custodians of this instrument, plus respecting the protocols within traditional ceremonies, are key.
By Theresa K. Howell